Samuel Fosso
Born: 17 July 1962
Cameroon
Samuel Fosso has long been one of my favourite photographers and heroes, his portraits blend performance and self-representation whilst exploring themes of identity, history, and culture. He often dresses as prominent figures, sometimes blurring gender roles, this is what initially drew my attention towards this pioneer.
Born in 1962 in Cameroon, Fosso initially became interested in photography at a young age, and his self-taught approach has led to a distinctive style that often centers on the artist himself as the subject. His images, which include self-portraits and staged narratives, examine the complexities of African identity and the intersection of personal and collective histories. Fosso's work also draws attention to the ways in which African identity has been shaped by colonialism, the African diaspora, and the legacies of various cultural and political forces.
One of Fosso's most iconic bodies of work is his series "African Spirits," created in the 1990s, where he adopts various costumes, masks, and personas to reference African traditions and mythologies. By transforming himself into diverse characters, he challenges stereotypical representations of African people while exploring the fluidity of identity and the power of self-expression. His photographs also play with historical references, subverting Western notions of African representation and celebrating the richness of African heritage.
Fosso’s work has been exhibited internationally, and his ability to mix humor, critique, and performance has made him a key figure in contemporary African photography.
Major Works:
SixSixSix (2015)
Over three weeks in a Parisian studio, Fosso posed shirtless, sitting on a chair, two or three times a day in front of a crimson backdrop, staring at the camera. This culminated in 666 unique Polaroid images that capture Fosso’s varying emotional states, from glum, sad, angry to happy. The title of the series refers to the evil connotation of the figure 666 in the Bible, the work was made partly in response to the Central African Republic’s civil war from 2012-2014.
African Spirits (2008)
A powerful exploration of identity, history, and representation in which Fosso photographs himself in a range of personas. His aim is to "restage key images and figures in this history from [Martin Luther] King during the American civil rights movement to Kwame Nkrumah, Léopold Sédar Senghor, and Aimé Césaire during the independence and liberation of Africa."
Previous lecture notes on fluidity:
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